Self Portrait (Rejoice)

Self Portrait (Rejoice) invokes a wide variety of imagery, ranging from Andean religious traditions to fantastic doodles, resulting ultimately in a topography of inner turmoil. These texts and images are inscribed into the receiving surface, mimicking the texture and appearance of skin and scars, alluding to the dichotomy of identity, that which is seen and unseen.

 

Self Portrait (Rejoice), Intaglio on Silicone, 2016